Turn Photos Into Wallpaper

Darren wrote this at 9:43 am:

Check out this for a great idea: Dave Banks printed a wall-sized large-format photograph to wallpaper his son’s bedroom. The result looks fantastic!

While you’re decorating your walls, check out the Wallhogs prints Trush made. Wallhogs print your photos onto vinyl backed with repositionable adhesive. They look great stuck on the wall, but that’s just the start of the possibilities.

If you’ve tried anything similar to these projects, post about it below!

iView MediaPro 3.1.3 Released

Darren wrote this at 7:12 pm:

iView MediaPro 3.1.3, a free update to registered users, has just been released.

Updates include:

  • Fixed crash caused by importing corrupt DNG files
  • Updated Nikon Libraries for compatibility with Nikon D80/D40
  • Fixed a problem where Nikon raw photos might not orientate correctly
  • Various Vista compatibility updates
  • Fixed issue with some .XMP sidecars not being recognized (Win)
  • Fixed problem where preferences might not be displayed correctly (Mac)
  • Fixed problem where Shockwave Flash files might not play
  • Fixed a few issues with Batch Rename
  • Various other fixes

Don’t forget, if you don’t already own iView MediaPro 3, we’ve got a special deal lined up with iView Multimedia to save you 15% off the normal purchase price.

Apple MacBook Pro Update

Darren wrote this at 8:34 pm:

Apple has just updated their MacBook Pros to the new Intel Core 2 Duo processor. It’s probably a little earlier than many had predicted, but it’ll certainly be a well-received upgrade.

The new MBPs are slightly faster (clock-speed-wise) than the previous model, have Core 2 Duo, HDD options of 100GB (7200 rpm)/160GB (5400 rpm)/200GB (4200 rpm), RAM up to 3GB (1x2GB + 1x1GB), FW800 and dual-layer SuperDrives.

I’ve been trying to decide between getting a 17″ MacBook Pro or a 13″ MacBook with a Dell 24″ LCD (I can salary package a new laptop each year, effectively buying it with pre-tax money). The two setups would work out to almost exactly the same price.

The MBP obviously has a larger built-in screen, is faster, has better graphics, and a few more ports and things. However, the MB + 24″ LCD offers better portability and a nice big screen for when I’m working at my desk. I’m leaning towards the MB + LCD at this stage, but I’m hoping for an MB upgrade early next year (I need to make the purchase before April).

Which way would you go, and why?

Canon EOS 400D Reviews

Darren wrote this at 1:21 am:

I’ve added a new page to collect reviews of the Canon EOS 400D / Digital Rebel XTi digital SLR.

As always, feel free to email me any link recommendations.

Delkin ExpressCard 34 CF Adapter

Darren wrote this at 12:52 am:

Good news for all the photographers who bought MacBooks or MacBook Pros – Delkin has released an ExpressCard 34 compact flash adapter, allowing CF card transfer rates of up to 20 MB/second. It works with both Macs and PCs, it’ll cost around USD$60, and it should be available in mid October.

More information is available at Delkin’s web site: ExpressCard 34 CF Adapter.

Problogger.net Group Writing Project – Photography-Related Contributions

Darren wrote this at 2:47 am:

This week, Darren Rowse over at Problogger.net hosted a group writing project with the topic of “How To”. Some 343 people wrote articles for the project, with a huge range of topics that makes for some interesting reading.

There were several photography-related contributions, so I’ve linked up to them below for your convenience:


The Most Important Image Ever Taken

Darren wrote this at 8:58 am:

It’s a little out of left field for this blog, but check out this 6-minute video describing the single most important image ever taken by humanity. The astronomical photographers will love this movie. Actually, the astronomical photographers have probably already seen it, but it’s quite fascinating for us non-astronomers as well.

Given the cost of the Hubble Telescope, that’s possibly one of the most expensive photos ever taken as well!

Kind of makes you feel all humble, doesn’t it?

How To Take Great Photos Of Children

Darren wrote this at 10:56 pm:

Kids are typically not terribly interested in having their photos taken, especially by a photographer they don’t know. As well as the normal shyness that goes with having an unfamiliar grown-up around, the prospect of a photo session brings back painful memories of the torture parents usually impose: “look at the camera”, “smile”, “stand up straight”, “take your finger out of your nose”, “stand still”, “stand closer to your sister”, “she won’t bite”, “move in closer”, “don’t push your sister over!”.

If you want to get great photos of children, you need to steer well clear of this type of experience! Here are some tips that have worked well for me in the past:

Make It Fun

Joke around with the kids during the shoot and keep them engaged. Depending how young they are, you can do silly things like trip over or bump your head or pull a funny face to get them laughing. Making a joke or telling a silly story about a sibling or parent will often get a great reaction. While you’re doing this, keep your camera at the ready and shoot their reactions. Photos of kids laughing uproariously can really capture their personalities, and make excellent additions to family albums.

Choose A Good Location

Make sure your location fits in with the style of photograph you’re trying to shoot. There’s no point shooting formal portraits in a playground – the kids will want to play and explore rather than sit still and cooperate. On the other hand, you can get fantastic candids of kids in playgrounds, interacting with their environment, exploring and discovering, and having fun on the equipment.

Try to choose locations that will provide a good backdrop for your photos, such as parks and beaches. Cluttered, messy backgrounds will distract from the image. Clean and simple is best. It’s also good if your location has nice backgrounds in several directions – kids move fast and you can’t always be in the ideal position to get the background you want. Try not to leave prams, cars, bikes and other large things lying around all over the place, as they’ll inevitably creep into your photos.

In inclement weather, shooting in the child’s own home often works well. They’ll be comfortable in the familiar surroundings, and you can get them to show you some of their toys to keep them interested. Shoot tight and exclude as much background as you can if the house is a little messy (like most houses with young children are!).

Photographs made in a child’s own room can provide a view into another aspect of their personality, showing clothes, toys, bedding, photos and other trinkets they own. These things change over time as children get older, and parents often enjoy looking back and remembering them.

Minimize Your Equipment

Don’t worry about bringing your tripod or monopod to the shoot – kids move too fast and too much equipment will only slow you down and cause you to miss shots.

For the same reason, try to limit yourself to one general-purpose mid range zoom lens (something like 28-135mm is ideal, but 28-70mm or 35-105mm would also be fine). Zoom lenses allow you to adjust framing on the fly and grab shots that you’d miss if you had to physically move closer or further back. I often bring along a fast prime lens as well, though, just in case we need to shoot in lower light conditions or I want to work with very shallow depth of field.

I’ve usually also got an ultra-wide lens (12-24mm) in my bag, although I don’t always use it. Given the right subject and location, you can get some really fun shots by shooting from above with the lens very close to their nose, or shooting from their feet looking up (more on this later).

I usually only change lenses once or twice per location. You don’t want to spend too much time mucking around with equipment, or you’ll lose the child’s interest and struggle to re-engage them. Trying to rush lens changes will also lead to accidents, like dropping a lens or leaving something valuable sitting within reach of a clumsy sibling.

Protect the front element of your lenses with a UV filter. When you’re in close with kids, especially little toddlers, they have a nasty habit of reaching out and touching the lens, leaving it smeared with gobs of whatever sticky substance their parents have been bribing them with.

If you’re shooting indoors, an external flash swivelled into the bounce position can give good results. It can limit you a little, however, if you keep switching between portrait and landscape orientation and have to keep adjusting the flash’s angle. Whenever I can, I like to keep the flash off and use a wide aperture and high ISO. The photos look more natural, and you’ll also get those nice out-of-focus backgrounds that parents usually associate with ‘professional’ photography.

Vary Your Style

You don’t always know what kinds of photographs the parents will like, so it’s good to cover your bases and shoot a variety of styles. Even if the parents have a specific preference, there will often be relatives with different tastes who would also like prints.

Take some close-in head shots, even getting extreme and filling the frame with their full face or even just their eyes. Pull back for some full-body shots as well. Environmental portraits, taken with a moderate wide angle lens and showing something of the room or location as well as the child, can work really well to give some context to a page of photos in an album.

Get candid shots of the child playing with a toy, exploring their environment, or reacting to a joke. These types of images give insight into their personality, getting past the rigid pose, fake smile and ‘photo face’ so often seen in family albums.

If you have time, shoot some little details as well. Shoot buttons, laces, hairclips and other interesting details from the child’s outfit, and get some close-ups of favourite toys. Get the child to hold a favorite toy or book towards the camera, so you can shoot a close-up of it with them slightly out of focus in the background. These images can capture day-to-day details that would otherwise be forgotten, and are often treasured years later.

Keep the traditionalists happy, too, by taking a few formal-style posed photographs. Do this early in the session, while the child is still engaged and cooperative, but not right at the start while they’re still wary of you (especially if you don’t already know them).

Get Down To Their Level

Portraits taken from above the subject’s eye level often look domineering. This can be used effectively if you want to show how small and helpless a child is, but it can be unflattering and should be used sparingly.

Get down to the child’s level. Roll around on the ground with them. Shoot from below their eye level and your shots will take on a different perspective, showing the world from their point of view. This is something that parents and amateurs don’t often do, so it will make your photos stand out from the rest of their family snapshots.

Involve Others

Especially if they don’t know you, it can be hard to get children to cooperate with you and follow your directions. Get the help of a parent or relative to keep things moving smoothly. Get parents, friends and/or siblings involved in the photographs as well, showing interactions between them and the child.

It often helps to get someone else to pose for you, showing the child what you want them to do. Take a photo of that person while they’re at it – getting Mum or Dad involved will often make the child giggle and want to have a go themselves.

Even pets, teddy bears and dolls are great for this. Again, showing the child in the context of their family and friends can help to show more of their personality and individuality.

Take Some Funny Photos

As mentioned earlier, you can put on a super-wide angle lens and take some funny photos with grossly exaggerated perspective. Kids love this! Also ask them to pull funny faces or do something silly. Show them the photos on your rear LCD, and they’ll want to do it again and again trying to outdo previous attempts.

Save the funny stuff for towards the end of your shoot, though, or the child will want to keep doing it and you won’t be able to get them back into other styles of photos.

Give Them A Go

Let the child hold your camera, or at least press the button while you hold it. Let them take some photos of their parents, siblings or pets. They’ll love the idea that they’re a photographer too, and they’ll treasure the resulting photos that ‘they took’.

The down side to this is that the child will keep wanting another go while you’re trying to shoot them. It can also lead to them becoming a little too familiar with your gear, and they might pick up your camera and mess with it while your back is turned.

Like the funny photos, save this until the end of the shoot so you can pack your gear away safely afterwards and remove the temptation. Having some fun at the end of the shoot will also keep the child’s interest and enthusiasm going, even if they’re starting to get a little tired and bored with it all. It also helps ensure they go home remembering the photo session as a fun experience rather than a traumatic one.

This post was written as part of the ProBlogger How To… Group Writing Project. Surf on over to read all kinds of posts on all kinds of topics, all with the general them of how to do something.

Don’t let your glasses get in the way of capturing great shots of your kids. Find cheap contact lenses and never miss another moment.

Gaze-Based Cropping

Darren wrote this at 6:04 pm:

Here’s an interesting research paper from Microsoft: Gaze-Based Interaction For Semi-Automatic Photo Cropping.

The researchers used eye-tracking technology to map out where the viewer’s attention was drawn when looking at a photograph. This allowed them to determine which parts of the photograph were important and which were not, and to then crop the photograph down to emphasise the important parts.

This approach actually works pretty well. There are a whole bunch of sample images near the end of the paper, and I have to say that the gaze-based crops look very good. Perhaps one day we’ll see eye-tracking technology used in those photo printing terminals to help inexperienced users crop and print their snapshots better?

The paper is also useful for the references section – there are a lot of interesting-looking references on topics such as composition and visual perception.

Technorati Tags: , , ,

Reuters Drops Freelancer Over Manipulated Lebanon Photos

Darren wrote this at 8:23 pm:

Another week, another scandal surrounding a news photographer doctoring images: Reuters says Mideast photographer doctored shots (CNN.com).

The Reuters press release is here: Reuters withdraws all photos by Lebanese freelance.

There’s a pretty good analysis of some of the images submitted by the photographer in question (Adnan Hajj) over at The Jawa Report, including close-up details from the images.

What I don’t understand is why these photographers keep submitting manipulated photos. Surely they know they’re eventually going to get caught out? The images will be seen by millions of people around the world, and any discrepancies are going to come to light. The photo of the smoke over the city is so badly done that even a schoolkid would know it’s a fake!

I can only guess that the freelance market has such stiff competition these days that photographers will do anything for a ‘blockbuster’, especially when their agencies are pushing them to deliver and threatening to drop them if they don’t. Add to that the unreal situation of being in the middle of a war zone, and I suppose the pressure and temptation just become too much.